Here’s what’s known about Grayson Perry: Delusions of Grandeur as of 2025–2026.
- The show at the Wallace Collection opened in 2025 and ran through late 2025, presenting Perry’s work in dialogue with the museum’s holdings and using a fictional narrative around a woman named Shirley Smith to explore themes of heritage, identity, and delusion.[3][5]
- Critical reception highlighted Perry’s playful, satirical approach that situates contemporary craft within a historic collection, with remarks on the show being Perry’s largest contemporay exhibition to date at the Wallace Collection.[5][6][3]
- Public coverage noted Perry’s engagement with outsider art figures such as Madge Gill and Aloïse Corbaz, integrating their stories into the exhibition’s narrative and artworks, alongside his own ceramic and textile works.[3][5]
- Some reviews questioned the balance between Perry’s anti-establishment stance and the museum context, but most agree the show provided a visually elaborate, thematically rich experience that connects past and present in provocative ways.[6][8]
- If you’re in Milan or nearby, current information about travel or exhibitions can vary; the most up-to-date details are typically on the Wallace Collection’s site or major art outlets’ reviews for the latest status, dates, and any new developments or touring plans.[5][3]
Illustration of the exhibition concept:
- Imagined installation idea: a gallery room where a life-size sculpture of Shirley Smith stands adjacent to a wall of Wallace Collection miniatures, with Perry’s contemporary pots and tapestries weaving through the space, mirroring the show’s blend of fantasy and artefacts.
Would you like me to fetch the latest official exhibition dates or pull recent reviews from specific outlets to confirm current status? I can gather fresh sources if you want precise, up-to-the-minute details.[3][5]
Sources
'It’s convoluted, but what the deluded, imaginary Smith does is free Perry to explore several ideas and themes — taste and status, gender stereotypes, the purpose of fantasy and the power of art — without getting bogged down. More than 40 new works by Perry, about a third of which...
www.victoria-miro.comGrayson Perry has always been a master of holding up a carnival mirror to society, and his latest exhibition at the Wallace Collection...
artlyst.comThe largest contemporary exhibition ever held at the museum, Grayson Perry: Delusions of Grandeur (28 March–26 October 2025) will include ceramics, tapestries and works on paper amongst others, displayed alongside some of the Wallace Collection’s masterpieces which helped inspire and shape Perry’s vision for this landmark exhibition. The new works,...
www.victoria-miro.comGrayson Perry ︎ Wallace Collection Related Projects
kitgrover.comPerry’s latest exhibition is really quite intriguing. He takes many of the tropes and themes of historic art and flips them entirely on their head, essentially questioning - as the show’s title suggests - how such grandiose notions are, perhaps, mere delusions..
www.coffeeandunlitcigarettes.co.ukGrayson Perry's latest show reinterprets the Wallace Collection. The Arb's art writer, Rosalind Ormiston, went along to the show's opening to investigate... For Londoners, the Wallace Collection, in Hartford House, is one of the nicest galleries to visit, and visit regularly. It has a charm and sense of place unlike any other, not to mention a phenomenal collection of fine art and decorative art. Where else can you walk through a room and find a masterpiece by Rembrandt, a painting of his son,...
www.arbuturian.comIn ‘Delusions of Grandeur’ at the Wallace Collection, the British artist pokes fun at the artworld’s hierarchies of class and taste. But is he really in on the joke?
artreview.comThe Wallace’s boldest show yet—Delusions of Grandeur blends Perry’s art, identity & satire, brought to life with an intimate audio tour by Imagineear.
www.imagineear.comConrad Landin talks to the artist about his new exhibition at the Wallace Collection
www.islingtontribune.co.ukThe Turner Prize-winning artist's show at The Wallace Collection showcases his persistent 'anti-establishment stance'
theweek.com